McKenna and Fontaine is a reasonably successful and respected real estate developer in the area. They are courting some Japanese investors for probably their largest property to date. But Whit Fontaine isn’t as eager about the project as is his partner, Tom. At a business dinner, Whit gets tanked, argues with Tom and storms out to drive home. Upon arrival, he bursts in the house leaving the front door open to find his wife, Sarah, dead on the floor, 2 gunshot wounds to the chest, and he blacks out. Neighbors see the door open late at night and call the police. The find the wife and Whit on the floor with Whit’s gun lying near his hand. Pretty obvious. Cut and dried case of domestic murder. Whit’s lawyers hire Marcus’ firm to ask questions of anyone connected to see if there might be anything that could cast doubt into Whit’s guilt. Marcus assigns Wendy to the case - her first real case.
Wendy’s steps are pretty by the book. Talk with Whit’s business partners and some employees. Talk with Sarah’s friends (the marriage wasn’t going well. Both were having affairs). Keep checking in with the police, Whit’s attorneys, and Marcus. Delicately interview recent dalliances of each. Try to find out what she can about this new project and the investors. For the most part, she finds nothing to indicate that Whit didn’t pull the trigger. Her first big assignment is coming up empty. Looking like she’ll be back on the surveillance circuit
Until . . . an offhand observation by a waitress jiggles her memory to take a closer look at the project.
The good folks at Stark House press sent me the ARC that is due to be published in February 2022. I always say to pay attention to the publisher. Stark House is an independent publisher of mostly crime and fantasy/horror books. I think they even will reprint earlier books for contemporary readers. I do know they publish MRB fav Charlie Stella, so that’s the connection. I’ve received a few books from them in the past. From what I’ve seen, Stark House seems to publish modern pulp fiction. Now I don’t know how to define ‘pulp fiction’ (and no, it’s not the movie of the same name), but I guess I’d say that many of the titles I’m aware of from Stark House would meet my expectation. Pulp novels tend to be short and direct with little frills and fluff. Unlucky Money checks all the boxes.
Now that doesn’t make pulp a 2nd class citizen. Heck, in the early to mid 1900s, pulp novels were flying off the shelves. Lockhart’s style is bare bones narrative. Just the facts in a linear investigation. He does present sufficient background for Wendy Lu, enough to suggest that Lockhart will be returning to her in the future. And I’m thinking future Wendy Lu books will be quite interesting, especially if Lockhart digs into her family history back in China.
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