
Alan Hawthorne is the golden boy of Queen Anne’s University.
Respected by faculty, administration, and professional peers. Well published. Well connected. Has
secured grants in the millions. Tall, blond, imposing baritone, handsome, rich, and stunning teeth, too. Even hosts a TV show on BBC.
And he’s a pig.
Arrogant. Condescending. A world-class letch. People who’ve known him
since his days as a university student say he hasn’t changed a bit. Women who
haven’t fallen for him are pursued until they finally succumb, by will or by
force. Sarah is his latest target.
Sarah’s life hasn’t quite gone the way she’d hoped. As a
student, she fell for the quintessential struggling actor, got pregnant young,
and delivered her second child a couple weeks after defending her doctoral
thesis. The actor has struggled and recently ran off to Bristol to chase artistic
opportunities as well as an equally struggling actress. Good think her Father
is around to help referee 8yo Grace and 5yo Harry.
After being delayed by the latest in a string of propositions by Hawthorne, Sarah has to rush to pick up the kids. Taking a traffic detour,
she happens on what appears to be a grandpa walking his granddaughter. Until another
car blocks the sidewalk and attempts to take the little girl. Sarah become
enraged and rams the car and its driver, but the child disappears. A day or two
later, Sarah herself is abducted and taken to a shadowy businessman. Guy by the
name of Grosvenor.
Turns out the little girl was Grosvenor’s daughter and Sarah had
indeed prevented an attempted abduction. Grosvenor wants to reward Sarah for
her bravery, but she refuses. At a last resort, he plays his trump card. “Give
me one name. One person. And I will make them disappear.” No one will know. It's what he's good at. Stunned, Sarah says she
has no such name. Grosvenor tells her the offer is good for 72 hours. Gives her a throw-away cell phone with a single number programed in. All she has to do is open the phone and hit the 'Send' key.
In the next 72 hours, Sarah struggles with the offer and
just what it might mean or entail. Then Hawthorne hits on her . . . again. This
time he makes insinuations and implications of the consequences to come her way if she doesn’t bed him. Soon. And often. At his pleasure. At his command.
And the implication becomes reality. Budget cuts mean each
department will have to make personnel decisions. Not only will she not be
promoted to a permanent contract, she will probably be let go. And if let go, Hawthorne
can make sure every university with an opening will know to steer clear of Sarah
Heywood.
Livid beyond words, Sarah goes back and forth about whether
to accept Grosvenor’s offer. The Faustian corner of her mind makes the call to this devil on the Thames. And when Hawthorne’s behavior starts to
become out of character and he then does indeed disappear, Sarah’s guilt meter redlines.
She now has to figure out how to live with herself, deal with the police and colleagues/friends, and
whether what she’s done will actually affect her job, career, family, and the
future.
But that’s far from the entirety of the book. The last third of the book is every bit as tense and shocking as was Fatal Attraction. This 2018 book
is listed as a mystery/thriller, but I’d put it in the psycho-suspense bucket.
Trust
me on this one. Pick up this book knowing these two things:
- First, Logan pulls no punches in the politics and practices of the sexual power play. I am positive there are many examples that might ring too true and cause chills to anyone who might’ve experienced, or known of, similar situations. Hawthorne is pig. A disgusting despicable pig. That you’ll hate him is a testament to Logan’s skill. Just be warned.
- Second, don’t expect to read a couple chapters here and there. YOU WILL BE HOOKED QUICKLY. A one to two sitting read. The story and its twists are wonderfully presented by Logan. Just don’t forget to breathe every now and then.
Oh, and how does the book's title fit in? That phone call to Grosvenor lasted . . . you guessed it . . . 29 seconds.
ECD
It's another good recommendation from ECD - a different take on the "me too" era told in graphic language.
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