
Zsigmond Gordon
is an investigative reporter for The
Evening, and he serves as Kondor’s protagonist. The story takes place in
1936 which predates the Nazi invasion of Hungary but the Nazi influence is
significant with regard to the country’s economy and social issues. Gordon has
been on Budapest’s crime beat for a while, so he’s well known by the chief
inspector, Vladimir Gellert, and most members of the police force. While
sitting in Gellert’s office, he notice the pornographic photo of a beautiful
woman which Gellert had mistakenly left laying about. Subsequently, as Gordon
investigated the death of a prostitute who had been beaten to death, he
realized that it was the very same woman he had seen in Gellert’s photo. It was
unusual that she was Jewish since Jews of that era rarely became prostitutes,
and then he learned that she was the daughter of a wealthy coffee merchant. In
the process of trying to unravel the truth, Gordon understood that he could
never write about because of the State’s control of the press. Had he tried to
publish such a story, he would have been killed. His editors would not have
printed it for fear of what might happen to them. In writing about this very
dark side of life in Budapest in the 1930s, Kondor has created an impressive
social commentary.
But Gordon was
tired of the power brokers getting away with murder and he was driven to solve
the murder even if it was something he could never write about. This was a
quick and fun read. The character development and plot were solid, and the
author brought the story to a most satisfying conclusion. I’m looking forward
to the next book in the series, Endstation
Budapest.
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