Phillip
Margolin practiced law in Portland, Oregon for many years before devoting full
time to writing novels in the mid 1990’s.
Many of his works including his third novel, Gone,
But Not Forgotten made the New York Times Best Seller list.
In this novel, protagonist Betsy
Tannenbaum is an up and coming criminal defense attorney in Portland,
Oregon. Wealthy businessman, Martin
Darius walks into her office one day and gives her a healthy retainer with no
indication for why he needs legal representation. Soon after, the bodies of women who’ve been
kidnapped, tortured and murdered are found on a construction site owned by
Darius. Left behind at each of the
women’s homes are a black rose and a note that reads “Gone, But Not Forgotten.” No physical evidence ties Darius to the
crimes and he is released on bail. Then
information surfaces tying Darius to similar crimes in New York state ten years
earlier… but he was never charged.
Tannenbaum is
caught in a moral dilemma. She believes
everyone deserves legal representation whether guilty or innocent but she can’t
bring herself to defend Darius if he truly committed these heinous acts. Then Darius’ wife is murdered while Martin is
under surveillance so he is innocent of at least that crime. But Tannenbaum’s investigator uncovers
damning information about Darius concerning the New York crimes. Could he be guilty of the crimes a decade
earlier and be innocent of the recent Portland crimes? Could there be a copycat killer? The more
Tannenbaum learns the more she is drawn to the case and the more the lives of
her and her family are in jeopardy.
This is the
second time I’ve read Gone, But Not
Forgotten… the first nearly twenty years ago. I’ve read several of Margolin’s novels since
that time but of late find myself disappointed by comparison to his earlier
books. Re-reading Gone, But Not Forgotten reaffirms for me that Margolin’s earlier
works were as good as I remembered. Gone, But Not Forgotten has the disturbing
grit of Connelly’s Concrete Blond and
the startling spin of Turow’s Presumed Innocence…
two of my other favorites of the nineties.
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