
A
few weeks after his failure to appear, Clara sought the help of her dear
friend, the now retired Chief Inspector Armand Gamache of the Surete Du Quebec.
Gamache was continuing to recover from his wounds in the last case involving
Three Pines, and his daughter had married Jean-Guy Beauvoir, his second in
command, who was also nearly killed in the same battle which nearly killed
Gamache.
There
were multiple compelling story lines about the recovery of Gamache and Beavoir,
and how the chase after Peter brought their recent brush with death painfully
back into play. But the main plot involved the hunt for Peter. I thought Penny
spent way to much time on the details of Peter’s new art work that he had
produced in the year of separation, as well as the repeated efforts at trying
to interpret the meaning of the changes in his technique and content. The
resolution of Peter’s disappearance ultimately involved some of his and Clara’s
professors in art school. It was absurd that a murder plot involved someone who
was one was trying to murder another by an exposure to asbestos. The absurdity
made all of the characters who were a part of that seem unbelievable, and for
me, the story fell apart at that point.
The
finale did bring an unexpected resolution of the main story line, but I must
say that this one did not hold my interest like Penny’s other works. But, Penny
has written too many good books for me to be put off by one substandard effort.
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