The
Heist is Daniel Silva’s 14th book in the Gabriel Allon
series, all of which I’ve savored, some more than once. In this book, Allon is
doing another art restoration in Venice, perhaps the last one of his career
until he moves back to Israel to assume command of the Office, Israel’s foreign
intelligence service. He’s avoided becoming the boss of the organization for
man years, but its finally time. But, as has happened so often in the past, his
restoration was interrupted, this time when he was seduced into an attempt to
find a stolen masterpiece, Caravaggio’s Nativity. The reader is lead into the
mysterious world of art theft and the real value of such. Necessarily, Silva
also leads us into the world of international banking and the hidden movement
of great wealth among banks. But, Silva has always been timely with his
stories, and this one takes us to Syria and the attempts of the Bashar Assad,
the President of Syria, to loot his country of all value while resisting all
attempts to give up his authority. Silva referred to Assad as the Butcher of
Damascus, or butcher boy in tribute to Assad’s father who was equally brutality
to his own people. Silva likens Assad’s actions to those of Putin in Russia,
the only regime that stood in support of Assad’s massacre of his own
countrymen, and it was Putin’s insatiable quest for money that was behind the
support. This story grows from an attempt to recover a lost painting to an
attempt to grab most of Assad’s wealth to an attempt to save the life of a
woman that Allon had used to accomplish both of his goals.
Silva is the master the international thriller. This newest
book was just released this week, and if you’ve read all of his other books,
put down what you’re reading now (just as I did) and jump into this one. If you
haven’t read Silva, then start with The
Kill Artist and know that you’ve a great adventure ahead. Since I've read them all and Silva publishes just one book a year, now I have to painfully wait until next July for the next installment.
First disappointment from my #1 power rotation author. Storyline too predictable. Formula the "same old" one, i.e. art restoration interrupted, painting of a forgery, large cash exchange, Sicilian help, Venice backdrop, Allon team gathered. Only this time all characters seemed to have muted roles. They were just there to add their character to the story, and at times had no strong purpose. First Disappointment
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