
In what is far more than a crime novel, Tony Irons briefly
traces the wild gene in two of his three main characters, siblings Sean and
Gwyneth O’Neal to 120 years earlier when ancestor Mary Donnegad O’Neal, a new
Irish immigrant, decided to have sex with a Cherokee Indian, starting a group
that came to be known as the Black Irish. That rebellious trait was passed from
generation to generation until the mid 1960s when the country was struggling
with the war in Vietnam and significant social upheaval. Through remarkable
twists of misfortune, the O’Neal siblings were manipulated by the FBI into
joining the hunt for a list of people that the underground Weatherman were
recruiting for their own anti-government activities. Behind the intrigue was J.
Edgar Hoover, therefore the title, “Hoover’s Children.” Sean became a Special Forces
guy in Vietnam and then an enforcer for the mob in Boston. When his sister was
raped, he extracted the ultimate revenge against her assailant. That was the
murder that allowed Hoover to demand certain misdeeds from both Sean and Gwyneth.
Also brought into the story was Jack Duncan, younger brother of Dwight who was
serving time in prison for his idealistic resistance to the Vietnam War. Dwight
and Jack were both brilliant students who spent a lot of time writing poetry,
revealing a charisma that drew others to resistance against the war. Hoover
knew that Dwight, with contacts to the Black Panthers in prison, was making
brother Jack the unwitting courier of the list which Hoover wanted to get at
all costs.
As the plot unfolded, Irons skillfully took us through
Israel, Algeria, Morocco, and Turkey. He captured the drug, flower power and
self-important intellectual culture of the era while spinning great plot twists
that I didn’t see coming.
Author Tony Irons is a very interesting guy, and some of this
story is autobiographical. He dropped out of college, became a carpenter,
taught himself architecture, and was recognized by Mayor Willie Brown in 2000
as City Architect of San Francisco. It was only after a stint at the Graduate
School of Design at Harvard that Irons turned to creative writing and produced
this book, his debut novel. This novel was recommended to be by a guy in Todos
Santos, Baja Sur, Mexico where I have been spending some time, and Tony Irons
wrote in the acknowledgements section of his book that there’s a Todos Santos
writers’ group. If this book gives a hint into the quality of writing that will
come from this group, or even if it just the beginning of a series of books
from Irons, we have a lot to look forward to.
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