
Jonathan Kellerman always provides a dependable story, and
his protagonist, Alex Delaware, is as real a psychologist as any that I see presented
in literature. In this story, Alex and Robin are meeting at one of their
favorite haunts, The Fauborg Hotel. It’s the last night for the hotel before it
literally meets the wrecking ball. Kellerman captures the impermanence of LA, although perhaps too harshly: “I live in a company town where the product
is illusion. In the alternative universe ruled by sociopaths who make movies,
communication means snappy dialogue, the scalpel trumps genetics, and permanence
is mortal sin because it slows down the shoot.” Alex and Robin notice a
beautiful young woman who is alone, and there’s a muscleman, a goon type,
waiting outside. Then, her body is discovered in Pacific Palisades, murdered
only a short while after they last saw her in the hotel bar. The hunt for the
killer takes us through old time Hollywood B movies and porn, multigenerational
family dysfunction, and a good subplot about life, death, and redemption.
After a couple books that did not make my A list, it was
good to get back to one of the guys in my power rotation.
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