MRB friend Charlie Stella says he makes it a point to regularly go back and reread
Eddie Coyle, the book that started him on his path as a writer. Honestly, I could never see the point of reading a book I've already read. Think I might have been a touch premature in that conclusion. I read Boy's Life (copyright 1991) back in the mid 90s after having read one or two other books by McCammon. It wasn't a NYTimes best seller for nothing.
It's March 1964 in Zephyr, a small town in southern Alabama. Cory Mackenson is 12yo with a close core of 3 or 4 buddies. Cory's dad Tom delivers milk and is taking Cory on his route. Off route 10, they drive by Saxon Lake, considered bottomless by the locals. A car speeds out from a side drive, crossing their path on its inalterable path to the lake. Tom dives in to see a sight that will haunt him for the next year. The driver is naked and dead. Strangled with a piano wire so tightly that the driver's head is dang near separated from its body. And the driver is handcuffed to the steering wheel. Strange tattoo on his shoulder and the guy is unrecognizable. An investigation by the sheriff finds no one missing. The lake is bottomless, so there is no body. The investigation stalls, but Tom has recurring nightmares that the deceased wants him to join him at the bottom of Saxon Lake.
That's the story arc that serves as the unifying thread throughout the book. The other story line is a year in a Cory's life. Four sections - 1/season, sort of. Then multiple chapters per section, 1/month, sort of. Each chapter is almost a standalone short story - like Easter Sunday, the loss of a bike, the boy's first camping trip, Biggin Blaylock and his sons, bullies Gordo and Gotha Branlin, Old Moses, the redheaded, nose picking Demon, the annual carnival . . .
. . . and most importantly, The Lady. Zephyr was no different than countless southern towns in that it was two towns, the other being Bruton, the colored side of town. The town matriarch is the century-old Lady and most of the whites are scared of her. The river floods in the spring and both towns mobilize to hold back the water. Cory and his mom help an old black resident and a young boy. Later, the Lady wants to meet Cory and his mom to show her appreciation - and surprisingly asks about his dad and his nightmares. Turns out the dead man is reaching out and Tom and The Lady are receiving (or intercepting) the victim's call. She wants to talk to Tom, but he is scared and refuses to meet her. Then there is Lucifer and an escaped carnival monster.
OK, Tom eventually meets the Lady. The county bad guys meet their match. The crime gets solved. That's not the point. McCammon calls this book a fictography - fiction with lots of autobiographical accounts. Which are real and which sprouted up from McCammom's fertile imagination? I don't care. It's all in the storytelling and this is storytelling at it's undeniable best and what makes McCammon one of my favorite authors.
We see what Cory loses over the year; a bike, a dog, a teacher, his dad's job . . . to say we see Cory lose his innocence would be trite. We also see what he gains; the Lady's respect, his classmate's respect following a memorable outburst, and he learns to "Get Around Round Round I Get Around" courtesy of The Beach Boys and didn't everyone have a Grandpa Jaybird? Upon seeing a dream girl, Cory realizes that "If I would've had a tail, I would've wagged it."
And some lines that stuck with me . . .
"Sheer terror has no voice."
or something being "as slow as a toothache"
or "I think I could hear my hair growing."
"If my father was watching a baseball game, he would be agreeable to flossing his teeth with barbed wire."
"She was as thin as a shadow and just as dark." (regarding The Lady)
"one sorry thing about being a kid is that grown-ups listen to you with half an ear" (don't even tell me you didn't feel the same thing as a kid)
or learning of something that "opened up a space in my mind that I'd never known needed light."
a summer day so hot "that if a dog went running, its shadow dropped down to rest."
wondering, "if black people occupied the same heaven as white people, what was the point of eating in different cafes?"
after a playground brawl, the resulting set of stitches looked like they were sewn in "by a cross-eyed medical student with a severe case of hiccups."
and a few lines that sort of summarize things: "It's crazy the things a boy can imagine" because, as a teacher told Cory, "No one ever grows up" and then Cory realizing that he "wasn't as grown-up today as I thought I was yesterday."
As a grown-up, Cory, now a published writer, comes back to Zephyr with his wife and daughter and sees a vision of his dad on the front porch of his boyhood home asking, "I did all right, didn't I?"
Yeah. Robert McCammon, you sure did all right. You've helped all of us who have grown far too old remember what made being a child so terrifying and wonderful and hating with all our being that we have - make that had to - grow up.
Mr. Stella? I think I'm going to follow your lead and venture back to Zephyr again when I'm feeling far too old and in need of a refresher course on life as we once knew it.
East Coast Don