Remember when Arlo Guthrie told us the story of Alice’s
Restaurant (with full orchestration and five part harmony) just so he could tell
us another story, this one about his day down at the draft office? In one
level, I thought about that tell-one-story-to-tell-another routine while
reading this. Not that such an angle is a bad thing. Just the way my brain
operates sometimes.
FYI: the plot summary I prepare will be full of holes. To
fill in the holes would spoil the numerous reveals for future readers. I’ll
redact important facts.
It’s three years after the Child 44 affair. 1956. Leo is
head of a homicide department in Moscow, but its existence is secret because to
admit its existence would admit that the crime of murder, an obviously
capitalist crime, happened in the evolving Communist order. Leo is called to a
crime scene that involves a former colleague.
Then another is killed. His former boss kills his wife and 2 children
before taking his own life.
In the aftermath of Stalin’s death, Khrushchev writes a
speech that essentially bares the evils of the Stalin regime telling the
populace that the policies of hate will no longer be accepted. Political
prisoners in the gulags are being released and many, rightly, hold grudges so
the increase in retaliations against the former secret police, which Leo used
to work for, should not be a surprise.
Leo and
Raisa’s oldest daughter, Zoya, has been kidnapped by a street gang (a
voya), headed by the wife of Leo’s first arrest of Lazar, a priest. Anisya was
pregnant when she was arrested and her child was taken from her. Now called
Fraera, she comes out of the gulag as a revolutionary intent of taking
away from Leo what had been
taken from her. A simple trade: his daughter for her
husband.
Leo and Timur (his partner at homicide) go undercover on a
prison transport ship headed for a Siberian gulag to get Lazar (no details, no spoilers. This
segment of the story is incredibly intense).
Back in Moscow, the exchange goes wrong and I’ll just leave it at that (again,
to say more would be venturing into spoiler territory.
That was the first story that had to be told for the second
story.
The scene shifts to Budapest. Fraera is prodding the
Hungarians into revolt against the Russians and helps lead the revolt. Leo and Raisa are there looking
for Zoya as the revolution explodes with first the revolutionaries
backing the Russians up only to be brutally put down by overwhelming Russian
military force.
Sorry about the redacting above. Had to be done to avoid
spoilers for both books. Personally, I thought this was the equal to, and maybe even a little
bit better than, Child 44 as this one seemed to be more forcefully paced. It
appears to me that the overall theme of this trilogy (Agent 6 is the third,
next up on my reading list) is Leo’s attempt at redemption for all his wrongs
committed while he was part of the first Soviet secret police, just after
WWII. He had done so much to so many
innocent people that Leo tries and tries and tries to redeem his own sense of
humanity only to keep suffering setback after setback. This isn’t 3 steps
forward and 2 steps back – it’s more like 1 step forward an 5 steps back as the
pendulum of Moscow’s own attempts at distancing itself from Stalin lead to a
confused, paranoid, and vengeful citizenry.
I’ve been trying to come up with a turn of a phrase to describe this
series and the best I can say about it is that while this falls under either the
‘thriller’ or ‘mystery’ category, the word I would use to describe both books
is ‘intelligent’. This series (so far) is not for everyone. These 2 books are
intense, violent, suspenseful, depressing, and extremely unsympathetic to most all the principle characters, the time, and the postwar Soviet society. Various
supporting characters are introduced and carefully developed into critical
roles only to meet an unexpected and untimely death, putting Leo (and ourselves) further away
from redemption for crimes of the past.