
It’s 1973 and it seems like everyone in NY wants a piece of Johnny Albano. His ex-wife Nancy is constantly busting his balls and her first ex-husband wants Nancy’s help in ripping Johnny off. A dirty cop who got caught on tape shaking down a bar was leveled by Albano really has a hard on for Albano’s neck. A mobster’s low rent driver keeps pushing until Johnny strikes back, repeatedly. Another dirty cop being scoped out by NYPD internal affairs wants to bring Johnny in to show his bosses he’s making some movement on a case. And that’s just the first couple chapters. Even the old Greek guy living in his building who is hot after Johnny’s mom lectures him every time he comes home. You half expect to hear Johnny cry out, “Take a number, New York!”
Johnny is basically a good guy who is down on his luck. He’s a carpenter who lost his union card when this idiot co-worker killed someone’s pet, laughed about it, and Johnny taught him a lesson. The bad news? The guy was connected; bye-bye union card. Now, Johnny drives for a car service to earn some money to stay current with his child support for Nancy and his son Jack (Nancy’s now married to husband #3, another decent guy who plays for the Philharmonic). Johnny also makes runs for this mob guy picking up the cash from illegal showings of the cultural sensation of the day, Deep Throat. As the courier, he inherits the moniker Johnny Porno from the previous courier (Tommy Porno) who ended up in a dumpster with his hands cut off as a message to future couriers thinking of skimming off the top. Anyway, on weekends, Johnny drives this brief circuit picking up cash and delivering to his mob connection. Times get tough and money is short and reluctantly agrees to a longer circuit and the bigger pickup and payment (and a deeper commitment to the mob life). And this is the cash that Louis, Nancy’s first ex-husband, wants her help in stealing. Don't forget the offer from some Lovelace admirer wanting to buy the Cadillac used in the movie.
After the theft, a number of side plots start to spiral toward the drain and eventually culminates in an almost Taxi Driver-like explosion. The body count mounts, mobster wanna-be’s rethink their career path, bad cops meet their appropriate ends, Johnny’s new girl friend goes MIA, and Nancy’s third ex-husband does a decent thing for Johnny.
This, the latest by Stella, is the fifth of his titles reviewed here (Charlie Opera, Cheapskates, Eddie’s World, Mafiya). The earlier books had, for me, a bit of a lighter feel as I found an undercurrent of humor and satire, especially in Charlie Opera and Cheapskates, woven within the innocent man vs. the mob story. I had been forewarned that Johnny Porno was a grittier story with more interconnected subplots than earlier titles and it was. Poor Johnny is caught in an ever tightening web of events that threaten his ability to support his child, find better and more honest work, and hook up with his new girlfriend. Once the theft takes place, the action accelerates as dozens of dominoes fall, some that favor Johnny, and some that don’t.
Having read 3 of the prior 4 Stella books posted here, I was excited to see this has all the trappings of classic Stella – decent guys, wise guys of various standing in the mob, good/dirty cops, but most importantly, dialogue that make you want to stand up and beg for more. While Stella points to George V. Higgins as inspiration, I see comparisons to a couple of my favorite contemporary authors who I think also excel at dialogue, George Pelacanos and Richard Price. Through Stella, you can practically smell the garlic on the breath of the wiseguys trying to intimidate, strain to hear cops jerking each other around through hot dog stuffed faces, wince at the lunacy of an ex-wife going off the deep end, and nod approvingly when someone does a decent thing for Johnny. Why Stella’s books aren’t flying off the main table at the front door of Barnes/Noble and Borders is, in itself, a crime.
East Coast Don