
It started with a beating outside a bar in London. Mitchell beat this guy within an inch of his life, somehow without damaging his hands. He gets sent to prison for 3 years where he develops a taste for reading crime novels. When he gets out, some friends toss him a party where he gets 2 offers: an old 'friend' offers him some work as an enforcer for a loan shark and the local reporter on the crime beat tells Mitchell about this aging actress in need of a handyman. Unable to give up the rush of crime, but looking for legitimate work, he takes both offers.
After a few runs, the crime boss, Gant, takes a shine to Mitchell and offers him a more supervisory role over a group of enforcers, but that's too far into the old life for Mitchell's taste. Lillian, the actress, lives in a London estate with her loyal butler, Jordan. Mitchell is given a trial run and passes the test. He is even offered an apartment over the garage that houses a genuine Rolls Royce Silver Ghost. Jordan is a cold taskmaster whose only loyalty is to Madame.
Back and forth, we follow Mitchell as he teeters between the exhilaration of the old life and the possibilities of his new life, not to mention a developing relationship with Aisling who, surprise surprise, is attracted to Mitchell only because of who he is when he is with her. Mitchell balances his life at the estate (where he and slightly nutty Lillian have a 'friends with benefits' kind of thing going), his relationship with Aisling, and Gant's attempt to lean on Mitchell to steal the Silver Ghost.
Mitchell has had it with Gant and the heavies sent to encourage Mitchell to steal the car. But Gant doesn't seem to be all that happy with Mitchell's attempts to lean back. When Mitchell's sister is assaulted, he decides to strike back using all the skills of his old life. Surprisingly, Jordan has a similar skill set and the two plot out how to get Mitchell out of the old life.
Along the way, Mitchell decides he wants to marry Aisling and starts the process only to learn his sister has attempted suicide, and Aisling . . . well, to go into the rest of the story would spoil a righteous, surprising, and typically dark Bruen ending. Suffice it to say, all levels of Mitchell's life is as a prisoner, first to the state for an assault (that he may or may not have actually committed-how do you beat someone so viciously with no marks to show for it?) and now in the insular world of an actress living in her past and a vision of a future, mostly created by a loyal servant, that is not ever likely to happen.
One of Mitchell's 'flaws' is that he is loyal to people from the old life. He likes this guy who sells newspapers on the street. When the old guy is mugged and then dies, Mitchell reluctantly takes care of the burial and arranges upkeep on the grave (shades of
Cheapskates). When he finds the 2 kids responsible, he caps the knees of the one with a future in professional soccer with absolutely no remorse.
This is I think the fourth Bruen novel posted here.
Cross,
The Guards, and
Once were Cops were all terrific reads and
Cops scared the sh*t out of me with one of the most evil characters I've ever read - move over Hannibal Lector. Bruen's style of noir writing may take some getting used to for some, but I find his sparse, 9mm to the forehead style totally riveting.
What I find interesting is the way Bruen first tells you what the person is thinking first. Lillian gives Mitchell a BMW. She proudly asks Mitchell if he likes red. Mitchell thinks 'I hate fucking red,' but says 'my favorite.' That, and his penchant for 1 sentence paragraphs makes this a really fast read. While James Lee Burke really details the Louisiana setting, Bruen is all about dialogue. Short, sharp, and no BS. Mysteries seem to be about setting, scene, and developing the story line from the character and locale points of view or it can be about characters, dialogue, and hidden thoughts. I really liked some of Bruen's lines. Mitchell tries on a shirt 'that fits like a prayer.' If I could remember more, I'd use them.
London Boulevard will be a movie to be released in 2010 with Colin Farrell as Mitchell. Keira Knightly plays Charlotte, who I can only assume is a renamed Lillian. Should the movie be true to the book (yeah, like that'll happen), expect a hard R for violence and plenty of bumping uglies between Mitchell and Lillian/Charlotte and also him with Aisling (but I can't find her name on the movie's IMDB page - did her character get written out?)
A neat twist in this book were the continuing references to mysteries that Mitchell has read with quotes pertinent to his particular situation. If I had kept notes, I bet I could find some new authors. Maybe I should do just that before turning this back in to the library. Not to be trite and quote Ah-nold from The Terminator, but Mr Bruen, "I'll be back."
East Coast Don