I know that EC Don and I both read and reviewed Zafon’s earlier book, his first, “Spirit of the Wind.” If you liked Zafon’s prior work, you’ll like this. It is not the typical man-book we read, but it is an excellent murder mystery. Like his other book, this book takes place in Spain, this one being in Barcelona in the early 20th century, ending in 1930 with an epilogue in 1945. This book is written in the first person, as if the author is writing an autobiography, and he pulls that off with style. A lot of the story is about the agony and ecstasy of being a writer which is his occupation in the book. He re-visits the Cemetery of Forgotten Books (a subtheme in “Spirit of the Wind”), but that is really a minor theme in this story. Before telling you about the story, let me quote the first paragraph that should capture any bibliophile who has also earned a money and/or honor from the effort to write, as the coastal Dons have done in their respective genres:
“A writer never forgets the first time he accepted a few coins or a word of praise in exchange for a story. He will never forget the sweet poison of vanity in his blood and the belief that, if he succeeds in not letting anyone discover his lack of talent, the dream of literature will provide him with a roof over his head, a hot meal at the end of the day, and what he covets the most: his name printed on a miserable piece of paper that surely will outlive him. A writer is condemned to remember that moment, because from then on, he is doomed and his soul has a price.”
Or here’s another quote as the main character, David Martin, tells his apprentice, the 17-year-old Isabella about the task of being a writer:
“Natural talent is like an athlete’s strength. You can be born with more or less ability, but nobody can become an athlete just because he or she was born tall, or strong, or fast. What makes the athlete, or the artist, is the work, the vocation, and the technique. The intelligence you are born with is just ammunition. To achieve something with it you need to transform your mind into a high-precision weapon.”
Martin gets a bit metaphysical when he tells Isabella, “All interpretation or observation of reality is necessarily fiction. In this case, the problem is that man is a moral animal abandoned in an amoral universe and condemned to a finite existence with no other purpose than to perpetuate the natural cycle of the species. It is impossible to survive in a prolonged state of reality, at least for a human being.”
A final passage I won’t quote, because it is too long, but it is a eulogy written for an old book seller, Senor Sempere, an important figure to Martin throughout his life. Like the rest of the book, the eulogy is written with unmistakable love, and it is no accident that Zafon chose a bookseller for this important role. There will be a time when I’m asked to give a eulogy, and I hope it will be possible to quote or paraphrase some of Zafon’s beautiful words.
The story has to do with the coming of age of a young writer, and eventually, once his skills mature, his attempts to write a book for which he has been commissioned by an elusive and mysterious man, Senor Carelli. Martin finds it a difficult chore to write a mystical work that did not spring from his own mind. Some moral and most amoral characters are woven in and out of the story as Martin goes about his effort. The language used is more flowery than most of the novels we read and write about. I thought there were times when the dialogue got a bit boggy, but not too much. I enjoyed this one – a good change of pace and it is worth your time to read this one.
WC Don